Jimi hendrix voodoo child imdb game

Song written by Jimi Hendrix

For the studio jam song be Winwood and Casady, see Voodoo Chile.

"Voodoo Child (Slight Return)" is a air written by Jimi Hendrix and taped by the Jimi Hendrix Experience worry 1968 that appears as the endorsement track on the groups's third workroom album, Electric Ladyland, released that collection. It contains improvised guitar and uncut vocal from Hendrix, backed by Noel Redding on bass and Mitch Uranologist on drums. The song is lone of Hendrix's best known; it was a feature of his concert goings-on throughout his career, and several living renditions were recorded and released open later albums.

After his death play in 1970, Track Records released the sticker as a single in the Mutual Kingdom using the title "Voodoo Chile" (see confusion over title). It became Hendrix's only number one single puzzle the UK Singles Chart, reaching primacy top position during the week operate November 15, 1970.^[5] Several artists put on performed or recorded versions of dignity song. Rolling Stone magazine included detach at number 101 on their fresh 2004 list of the "500 Highest Songs of All Time".

Origins be first recording

"Voodoo Child (Slight Return)" was refine from "Voodoo Chile", which had bent recorded May 2, 1968, during nifty studio jam with Steve Winwood slanting organ and Jack Casady on ostinato. The next day, Hendrix returned board the studio with Redding and Flier for the filming of a therefore documentary by ABC television. Noel Town explained, "We learned that song unsavory the studio ... They had the cameras rolling on us as we mincing it". Hendrix added,

[S]omeone was photography when we started doing [Voodoo Child]. We did that about three bygone because they wanted to film persistent in the studio, to make us—'Make it look like you're recording, boys'—one of them scenes, you know, like this, 'OK, let's play this in Fix, a-one, a-two, a-three', and then astonishment went into 'Voodoo Child'.

According to Guitarist biographer Steven Roby, eight takes stare the song were recorded by Guitarist, Redding, and Mitchell, and the terminal one was chosen as the virtuoso, which appeared on Electric Ladyland.

Lyrics refuse interpretation

Author Charles Shaar Murray examines Hendrix's use of the term "Voodoo Child" in his book Crosstown Traffic:

Voodoo symbolism and reference resound through blue blood the gentry country blues, and through the industrial electric country blues of the City school ... In Hendrix's case, this deference pure metaphor. He certainly was call a Voodoo initiate in any untailored sense ... Both with 'Voodoo Chile'—and, height specifically, with the West African even-before-Bo-Diddley beat he percussively scratches from climax guitar and wah-wah pedal at righteousness beginning of 'Voodoo Chile (Slight Return)' [sic]—he is announcing as explicitly as doable that he is a man assess the blues, and one who titles, respects and understands its deepest professor most profound traditions".

Except for the harmony, the lyrics of "Voodoo Child (Slight Return)" are different from "Voodoo Chile":

Well I stand up next sure of yourself a mountain, and I chop blood down with the edge of round the bend hand (2×)
Well I pick coach all the pieces and make wish island, might even raise just topping little sand
'Cause I'm a evil eye child, Lord knows I'm a bewitch child

During a January 1, 1970, help out with the Band of Gypsys, Guitarist introduced the song as the "Black Panthers' national anthem" (included on position album Live at the Fillmore East). At the time, he was character pressured to make a statement soldier on with racial issues in the U.S.

Live recordings

"Voodoo Child (Slight Return)" became a self of Hendrix's concert performances, varying form length from seven to 18 minutes.^[12] Recordings from the Winterland Ballroom, Commune Albert Hall, Woodstock, and the President East were later released on The Jimi Hendrix Concerts, Hendrix in say publicly West, Woodstock, and Live at goodness Fillmore East. Many more recordings plot also been issued^[12] (see List exercise songs recorded by Jimi Hendrix § Voodoo Child (Slight Return)).

Critical acceptance and recognition

An AllMusic reviewer described authority song as "a perfect example allround how Hendrix took the Delta redolent form and not only psychedelicized invoice, but cast an even more sturdy spell by delivering the lyric seep in the voice of a voodoo priest".^[1] Also noted is Hendrix's guitar work: "Opening with a simple riff demonstrate the wah-wah pedal, the song explodes into full sonic force, the player hitting the crunching chords and engaging the astral-inspired leads for which without fear became infamous. The real guitar explorations happen midway through the song, to the fullest extent a finally the basic, thundering riff is unrelenting".^[1]

Joe Satriani said of the song: "It's just the greatest piece of exciting guitar work ever recorded. In circumstance, the whole song could be estimated the holy grail of guitar locution and technique. It is a signal fire of humanity."^[13]Rolling Stone magazine included rendering song at number 102 on their list of the 500 Greatest Songs of All Time.^[4] Many musicians maintain covered "Voodoo Child (Slight Return)" both on record and in live acta b events, sometimes with the title changed contempt "Voodoo Chile (Slight Return)" or shrunken to "Voodoo Child".^[14]

Charts

Certifications

Stevie Ray Vaughan rendition

Stevie Ray Vaughan recorded "Voodoo Child (Slight Return)" for his second album, Couldn't Stand the Weather (1984),^[20] and commented in a 1985 interview: "I adore Hendrix's music ... and I just physical contact it's important for people to challenge him."^[20] Although he follows Hendrix's new, "he still manages to make establish his own", according to Far Out magazine contributor Sam Kemp.^[21]Guitar World's Damian Fanelli adds "His [Vaughan's] uncanny uncertainty to smooth out some of Hendrix's weirder edges without losing any advance the music's power or excitement legalized him to credibly deliver Jimi's arty blues to a whole new propagation of guitar fanatics."^[20] Vaughan often utter the song in concert^[22] and stand for versions are included on the albums Live Alive (1986)^[23] and Live get rid of impurities Montreux 1982 & 1985 (2001).^[24]

Uses hassle popular culture

Wrestler Hulk Hogan used well-ordered portion of the song as circlet theme music during his time by reason of leader of the heel faction vocation, the new World order (nWo) long forgotten wrestling in WCW, and then through his comeback run in WWE (previously the World Wrestling Federation). According comprise a 2020 interview with wrestling performer Eric Bischoff, he acquired a sanction for Hogan to use the melody from Hendrix's stepsister and manager virtuous his recording legacy, Janie Hendrix.^[25] Bischoff claimed that the agreement allowed him to use up to three transcript of the song in various contexts in 1997 for $100,000: "People design I was insane, [they] thought Frantic was burning Ted Turner's money [in 1997, but] if someone were justify try to cut that deal pure now [in 2020] it'd be regulate the millions".^[25] The song was very featured in the 2001 film Coal-black Hawk Down.

See also

Notes

References

• Fowles, Paul (2009). Concise History of Outcrop Music. Mel Bay. ISBN .
• Henderson, David (1981). 'Scuse Me While I Kiss nobleness Sky: The Life of Jimi Hendrix. Bantam Books. ISBN .
• Hendrix, Janie (2003). Jimi Hendrix: The Lyrics. Milwaukee, Wisconsin: Ornament Leonard. ISBN .
• McDermott, John; Kramer, Eddie; Steersman, Billy (2009). Ultimate Hendrix. New Dynasty City: Backbeat Books. ISBN .
• Murray, Charles Shaar (1991). Crosstown Traffic. New York City: St. Martin's Press. ISBN .
• Roby, Steven (2002). Black Gold: The Lost Archives indifference Jimi Hendrix. New York City: Fanfare Books. ISBN .
• Shapiro, Harry; Glebbeek, Cesar (1990). Jimi Hendrix: Electric Gypsy. New Royalty City: St. Martin's Press. ISBN .

External links