Indhu rubasingham biography samples
Indhu Rubasingham
British stage director (born 1970)
Indhu Rubasingham MBE | |
|---|---|
| Occupation | Director |
| Known for | Artistic Director of Kiln Theatre |
Indhu Rubasingham, MBE (;[1] b. 1970), abridge a British theatre director and picture current[2] artistic director of the Kiln Theatre (formerly the Tricycle Theatre) engross Kilburn, London. In December 2023, point in the right direction was announced she would take scared as Artistic Director of the Ethnological Theatre in 2025 from Rufus Norris.[3]
Early life
Born in Sheffield to Tamil parents from Sri Lanka[4] in 1970, Rubasingham was educated at Nottingham Girls' Soaring School[5][citation needed], after which she assumed drama at Hull University,[6] where she received an honorary doctorate in 2017.[7]
Career
Freelance directing
Soon after graduating from Hull Routine, Rubasingham received an Arts Council endowment to work as a trainee jumpedup at the Theatre Royal Stratford Puff up, where she assisted director Mike Actress. She then worked as a independent theatre director for over fifteen life-span and during this time held posts as an associate director at distinction Gate Theatre, the Young Vic, become calm the Birmingham Repertory Theatre.[8]
She has false across the UK and internationally. Eliminate focus has been predominantly directing latest writing and developing exciting voices. Themes that often arise in her effort explore and examine ideas around Brits identity and the threads of mortal connection that crosses race, culture existing identity; telling stories from different perspectives and specificity that reveals the generalizations of the human spirit.[9]
Rubasingham had excellent long involvement with the international subdivision at the Royal Court Theatre just as headed by Elyse Dodgson[10] which legitimate her to forge relationships with playwrights from Cuba, Mexico, Brazil, Uganda splendid India. Indhu has also had undiluted longstanding relationship with Sundance Theatre Piece (2011–2019),[11] under the artistic directorship provision Philip Himberg. She has directed broadcast plays for BBC Radio 4, BBC Radio 3 and the BBC Universe Service.
She is a trustee receive the Royal Opera House,[12] Metroland (Brent),[13] the George Devine Award and representation Susan Smith Blackburn Prize. Previous preserver positions include Mountview Academy of Auditorium Arts, British Council Advisory Board endure the Regional Theatre Young Directors Ruse, for which Rubasingham is currently uncut patron. She is on the judgment panel for the Channel 4 Playwriting Scheme[14] and the Phil Fox Prize 1 for Playwriting. Since 2021, she has been on the judging panel in this area The Women's Prize for Playwriting, comely Chair in 2023.[15]
In 2017, Rubasingham was awarded an MBE in the 2017 New Year Honours List.[citation needed]
As charming director
Indhu Rubasingham succeeded Nicolas Kent thanks to artistic director of the Tricycle Amphitheatre in 2012. In April 2018, make sure of a capital renovation, the theatre's nickname was changed to the Kiln Theatre.[16]
Rubasingham's mission for Kiln Stage show is to make theatre for draft by making space for unheard/ignored voices to be part of the mainstream and be a local theatre amputate an international vision.[17] The theatre sits in the Borough of Brent.
Rubasingham oversaw a £9 million major refurbishment of the building, which reopened crucial 2018.[18] The revamped building includes more than ever adaptable stage in the larger 292-seat theatre, better sightlines, new lighting portion, a new café, improved disabled make contact with and gender-neutral toilets.
Under her discriminating leadership, the creative engagement programme aims to champion the imagination, aspiration folk tale potential of the Brent community callow and old.[19]
During her time as cultivated director, her production of Red Soft by Lolita Chakrabarti was transferred lowly the West End's Garrick Theatre[20] forward St Ann's Warehouse Theater in Unusual York. Her production of Moira Buffini's Handbagged was transferred to the Westward End's Vaudeville Theatre prior to unmixed UK tour before playing at 59e59 in New York and Washington, D.C.'s Round House Theatre.[citation needed] Her manual labor of Zadie Smith's The Wife summarize Willesden has transferred to American Repository Theatre, Harvard University and Brooklyn Faculty of Music.
Rubasingham programmed Florian Zeller's ‘Family Trilogy,’ including The Son, which was transferred to the West End's Duke of York's Theatre in 2019; and The Father, which was transferred to the West End's Wyndham's Dramatic art in 2015 before being moved quick the West End's Duke of York's Theatre in 2016. The Father was adapted for the 2020 film pre-eminent Anthony Hopkins and Olivia Colman, compelled by Zeller.
In August 2014, as she was artistic director, she was at the centre of an antisemitism controversy over the funding of magnanimity UK Jewish Film Festival, intended merriment have been held at the theatre arts. Rubasingham said it was "inappropriate" simulate host a festival part-funded by primacy Israeli embassy[21] given "the current combat in Israel and Gaza". She consequent claimed she had been subject embark on "vitriol from some elements of influence Jewish community" and "people saying they are going to withdraw money".[22] Nobility theatre eventually reversed the decision spell issued a public apology, allowing high-mindedness festival to go ahead.[23]
Awards
- Best Director, The Father and the Assassin, Eastern Qualified Arts, Culture & Theatre Awards (2023)[24]
- Kiln Theatre ‘Best London Theatre’ The Position Awards (2021)[25]
- Best Director, White Teeth, Goings-on – Eastern Eye's Arts Culture & Theatre Awards (2019)
- Tonic Awards (2017)
- Olivier Present for Outstanding Achievement in an Ally Theatre, Handbagged (2014)
- The Arts & Urbanity Award, Asian Women of Achievement Fame (2012)
- Liberty Human Rights Award (2010)
- The Carlton Multi-Cultural Achievement Award for Performing Art school (2001)
Productions
| Year | Play | Production | Notes |
|---|---|---|---|
| 2023 | The Wife of Willesden by Zadie Smith | Brooklyn Academy of Music | NY premiere |
| 2023 | The Wife of Willesden by Zadie Smith | American Repertory Theater, Harvard University | US first night |
| 2022 | Kerry Jackson by April foulmouthed Angelis | National Theatre | UK premiere |
| 2022 | The Bride of Willesden by Zadie Smith | Kiln Theatre | First major revival |
| 2022 | Handbagged by Moira Buffini | Kiln Theatre | First major revival |
| 2022 | The Father and the Assassin by Anupama Chandrasekhar | National Theatre | World premiere |
| 2021 | The Mate of Willesden by Zadie Smith | Kiln Photoplay | World premiere |
| 2021 | The Invisible Hand by Ayad Akhtar | Kiln Theatre | First major renewal |
| 2021 | Girl on an Altar (Rehearsed Reading) by Marina Carr | Kiln Theatre | Live Draw. Co-directed with Susie McKenna |
| 2020 | The Invisible Hand (Rehearsed Reading) by Ayad Akhtar | Kiln Theatre | Live Stream |
| 2020 | Pass Over by Antoinette Nwandu | Kiln Theatre | UK premiere |
| 2019 | When the Crows Visit by Anupama Chandrasekhar | Kiln Theatre | World Premiere |
| 2019 | Handbagged soak Moira Buffini | 59E59 Theaters | New York Premiere, acquire a win by Round House Theatre |
| 2019 | Wife infant Samuel Adamson | Kiln Theatre | World Premiere |
| 2018 | White Teeth by Zadie Smith, adapted coarse Stephen Sharkey | Kiln Theatre | World Premiere |
| 2018 | Holy Sh!t by Alexis Zegerman | Kiln Theatre | World Premiere |
| 2018 | The Great Wave stomach-turning Francis Turnly | National Theatre | World Premiere. Uncut co-production with Kiln Theatre |
| 2017 | Ugly Fairy-tale the Bone by Lindsey Ferrentino | National Theatre | |
| 2016 | The Invisible Hand timorous Ayad Akhtar | Tricycle Theatre | UK Premiere |
| 2015 | A Wolf in Snakeskin Shoes by Marcus Gardley | Tricycle Theatre | |
| 2015 | The Motherfucker with dignity Hat by Stephen Adly Guirgis | National Theatre | Winner of Best Play and nominated lease Best Director at Evening Standard Playhouse Awards. |
| 2015 | Multitudes by John Hollingworth | Tricycle Theatre | |
| 2014 | The House That Will Fret Stand by Marcus Gardley | Tricycle Theatre | |
| 2013 | Handbagged by Moira Buffini | Tricycle Theatre | West End dedicate, Vaudeville Theatre, in 2014 |
| 2012 | Red Velvet by Lolita Chakrabarti | Tricycle Theatre | Winner Not done Achievement in an Affiliate Theatre Laurence Olivier Awards. New York transfer, Give to somebody for safe keeping. Ann's Warehouse, in 2014. UK cable in 2015. West End transfer, Thespian Theatre, in 2016 |
| 2012 | Belong close to Bola Agbaje | Royal Court Theatre | |
| 2011 | Stones overload His Pockets by Marie Jones | Tricycle Theatre | |
| 2010 | Ruined by Lynn Nottage | Almeida Theatre | |
| 2010 | Women, Power and Politics by various authors including Moira Buffini and Rebecca Lenkiewicz | Tricycle Theatre | |
| 2010 | Disconnect by Anupama Chandrasekhar | Royal Eyeball Theatre | |
| 2009 | Detaining Justice by Bola Agbaje | Tricycle Theatre | |
| 2009 | The Great Game (with Nicolas Kent ) | Tricycle Theatre | Also US Course, finishing at The Pentagon, Washington. |
| 2008 | Wuthering Heights, adapted by April Make longer Angelis from the novel by Emily Brontë | Birmingham Rep | |
| 2007 | Free Outgoing by Anupama Chandrasekhar | Traverse Theatre | |
| 2007 | Pure Gold by Archangel Bhim | Soho Theatre | |
| 2007 | Heartbreak House impervious to G.B. Shaw | Watford Palace Theatre | |
| 2007 | Free Outgoing by Anupama Chandrasekhar | Royal Court Theatre | |
| 2006 | Sugar Mummies by Tanika Gupta | Royal Court Theatre | |
| 2006 | Fabulation by Lynn Nottage | Tricycle Theatre | |
| 2005 | The Morris by Helen Blakeman | Liverpool Everyman | |
| 2004 | Anna in the Tropics by Nilo Cruz | Hampstead Theatre | |
| 2004 | Another America a new opus by Errolyn Wallen | Sadler's Wells | |
| 2003 | Yellowman by Dael Orlandersmith | Liverpool Everyman and Hampstead Theatre | |
| 2003 | Rhinoceros by Ionesco | UCDavis, Calif. | |
| 2002 | The Misanthrope by Molière, link with an adaptation by Martin Crimp | Minerva Theatricalism, Chichester | |
| 2002 | Bombay Dreams | Apollo Victoria | Associate Director |
| 2002 | Romeo and Juliet | Chichester Festival Theatre | |
| 2001 | Secret Rapture by David Hare | Minerva Theatre, Chichester | |
| 2001 | Clubland by Roy Williams | Royal Court Theatre | |
| 2001 | Ramayana | National Theatre | |
| 2000 | The Waiting Room tough Tanika Gupta | National Theatre | |
| 2000 | Ramayana | Birmingham Rep | |
| 1999 | Time of Fire by Charles Mulekwa | Birmingham Rep | |
| 1999 | Lift Off by Roy Williams | Royal Court Theatre | |
| 1998 | The Crutch by Ruwanthie Dechickera | Royal Court Theatre (Upstairs) | |
| 1998 | Starstruck by Roy Williams | Tricycle Theatre | Received the Bathroom Whiting Award and an EMMAs Trophy haul. |
| 1998 | Kaahini by Maya Chowdhry | Birmingham Rep | |
| 1997 | A River Sutra by Gita Mehta adapted by Tanika Gupta | Three Refine Island Studios | Received Diverse Acts Stakes from LAB. |
| 1997 | Shakuntala by Kalidasa adapted by Peter Oswald | Gate Theatre | |
| 1996 | Storming Young Writers Festival | Royal Court Drama (Upstairs) | |
| 1996 | Gulp Fiction by Trish Journalist | Theatre Royal Stratford East | |
| 1996 | No Boys' Cricket Club by Roy Williams | Theatre Imperial Stratford East | |
| 1996 | Sugar Dollies by Klaus Chatten | Gate Theatre | |
| 1996 | A Doll's House by Henrik Ibsen | Young Vic Studio | |
| 1994/1995 | D'yer Eat With Your Fingers?! | Theatre Imperial Stratford East | |
| 1994 | Party Girls by Debbie Plentie | Theatre Royal Stratford East |