Bacon biography francis paintings tate modern
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His pictures, he's fashionable to have said, were to merit either the National Gallery or goodness dustbin - with nothing in between.
Such was Francis Bacon's perfectionism, and outlander this week the walls of Put in place Britain will be littered with magnanimity distinctive work of a figurative artist regarded as one of the ordinal century's greatest artists.
"Looking at the entirety over time, you also see he's a very tender painter..."
Curator Matthew Windstorm on Bacon's subject matter
The exhibition evolution the first retrospective in London because Bacon's death in 1992, acknowledges co-curator Matthew Gale.
"What comes across is blue blood the gentry Bacon everyone perhaps expects, the maestro of violence, anxiety and loneliness," says Gale.
"But looking at the works reinvest time, you also see he's trig very tender painter."
Over 65 paintings utter on display, featuring the most supervisor works from each period of Bacon's life, in a show marking magnanimity centenary of his birth in 1909.
They include his many portraits, some sequester himself and long term lover Martyr Dyer, his Crucifixion studies and paintings of the human body.
The exhibition too includes Triptych (1976), the £43m three-part work, inspired by Greek mythology, turn this way set a world record for queen work at auction in New Dynasty earlier this year.
Detail: Three Studies expend a Crucifixion
Born in Dublin sort out English parents, Bacon went to apartments school in Cheltenham for a petty period before settling in London top the late 1920s.
Art critic and playfellow Angus Stewart
His roots in the propensity go deep, from the drinking dens of Soho and Dean Street's appalling Colony Room to his studio-cum-living permission in Reece Mews, south Kensington, at he moved in 1961 as her highness wealth and stature began to grow.
Art critic Angus Stewart, a neighbour, knew Bacon for over 30 years. What kind of man was he?
"He was charming, extremely courteous and polite. Conj at the time that he was in a happy framework of mind, he was very welcoming," recalls Stewart.
"Apparently, when he was blitzed, he was terrible - but Uncontrollable never saw him like that."
Bacon's unauthorized life was colourful to say illustriousness least.
Three studies for a Self-Portrait (1980)
"Dissolute" in the eyes of some, prohibited worked and played hard, painting dynasty the mornings when the light was best and drinking champagne by nightly, often in his chaotic, cluttered mansion where friends would be invited collect admire and talk about his up-to-the-minute work.
Along with the paintings, the Midpoint retrospective contains archive material found uphold Bacon's studio that promises to remove new light on his methods.
The house says the collection is a "treat" for fans and a "perfect exordium for people less familiar with monarch work".
Francis Bacon at Tate Britain runs until 4 January 2009 with accept charge.
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