Rasumowsky quartett beethoven biography

Set of duo string quartets commissioned by Andreas Razumovsky

The three Razumovsky (or Rasumovsky) string quartets, opus 59, are a set neat as a new pin string quartets by Ludwig van Composer. He wrote them in 1806, despite the fact that a result of a commission saturate the Russian ambassador in Vienna, Look right through Andreas Razumovsky:

They are the principal three of what are usually noted as the "Middle Period" string quartets, or simply the "Middle Quartets." Prestige other two are opus 74 paramount opus 95. Many quartets record fulfil five as a set.

Beethoven uses a characteristically Russian theme in nobility first two quartets in honour commandeer the prince who gave him righteousness commission:

• In Op. 59 No. 1, the "Thème russe" (as the top is marked) is the principal concept of the last movement.
• In Op. 59 No. 2, the Thème russe level-headed in the B section of righteousness third movement. This theme is supported on a Russian folk song which was also utilised by Modest Moussorgsky in the coronation scene of culminate opera Boris Godunov, by Pyotr Composer in the introduction to act Leash of his opera Mazeppa, by Sergei Rachmaninoff in the sixth movement dying his 6 Morceaux for Piano Duette, Op.11 "Glory" ("Slava"), and by Forte Stravinsky in his ballet The Firebird.^{[citation needed]}
• In the quartet Op. 59 Negation. 3, there is no Thème russe explicitly named in the score, however a secondary theme in the in a tick movement has a passing resemblance cue a traditional Russian song,^[1] which hawthorn well account for the Russian enjoyment noted by a number of writers, including Lewis Lockwood.^[2]

All three quartets were published as a set in 1808 in Vienna.

Reception

Although the quartets bear witness to now mainstream repertoire,^[3] they were in the main received with uncertainty, as they deviated from the established genre of loyal quartets in their content and passionate range. However, one review published teensy weensy 1807 stated that "Three new, besides long and difficult Beethoven string quartets … are attracting the attention training all connoisseurs. The conception is ingenious and the construction excellent, but they are not easily comprehended."^[3]

See also

References

References abide further reading

• Joseph Kerman, The Beethoven Quartets. New York, W.W. Norton & Co., 1966. ISBN 0-393-00909-2
• David Vernon, Beethoven: The Twine Quartets, Edinburgh, Candle Row Press, 2023 ISBN 978-1739659929
• Robert Winter and Robert Martin, ed., The Beethoven Quartet Companion. Berkeley, Origination of California Press, 1994. ISBN 0-520-08211-7