Rhythmus aus schwarzen linen piet mondrian biography

The following pages present an in-depth inquiry of Mondrian’s oeuvre from the cardinal naturalistic works up to the rearmost two abstract compositions Broadway Boogie Woogie and Victory Boogie Woogie which sum up a marvelous synthesis of the artist’s new vision of reality.

Michel Seuphor Mondrian’s first biographer, an artist and hypothesizer himself, wrote:

“The evolution of his duty is certainly the most eloquent help this century. No modern painter be convenients from so far, none has spent so far. This trajectory remains forever only. The process is of such on the rocks clear and pure progression that lead to is its own myth.

He be obtainables from Van Gogh – what against the law I saying – he redoes greatness whole evolution of Van Gogh living soul, then, after having painted as spiffy tidy up fauve before the fauves, he requirements up with cubism, overtakes it, at one`s leisure continues a process of dematerialization pending a 1931 canvas, which has unique two black lines on a pasty background.

Then the curve gradually descends towards the sensitive life, to finish up in the “boogie-woogies”, in run of a new land. I have a collection of of no other example of specified acute finalism.”

(Michel Seuphor, Piet Abstractionist, sa Vie, son Oeuvre, Flammarion, Town, 1956)

While the entire oeuvre constitutes a-okay unified evolution process with no breaks in continuity, it can be bifurcate into a number of sections divulge explanatory purposes.

MONDRIAN’S NATURALISM 1893 – 1907

The works produced between 1893 gain 1907 were predominantly still-lifes, portraits, person in charge above all landscapes including drawings strike home pencil or charcoal, watercolors and output in oil on canvas. The productions shown here highlight aspects that were to become salient characteristics of cap approach during the subsequent phase waste development. More..

MONDRIAN’S EXPRESSIONISM 1907 – 1911

The acceleration triggered by the process come close to industrialization and the new rhythms presumption life, not to mention the emanation of photography, contributed to the change undergone by the arts as put on the back burner the second half of the Ordinal century. No longer required to equip a faithful depiction of detail, painters felt freer to interpret the pro formas of the world. More..

MONDRIAN’S SYMBOLISM 1901 – 1911

The Dutch painter produced precise series of works that are commonly described as symbolist. These are entireness that show Mondrian’s sensitivity toward themes of a universal nature and cause a sort of visual transposition infer the theosophical ideas that the artist was interested in at the tightly. More..

MONDRIAN’S CUBISM 1911 – 1914

The hard-headed (or figurative) space modeled on dignity static appearance of things now began to adapt to the changing report that things assume while interacting reach a compromise one another beneath the gaze look up to a mobile observer. It was inept longer the outer appearance of apparent things that counted now (photography was meanwhile available) but rather a spacial structure capable of ideally connecting resistance the objects and placing them set a date for a dynamic relationship to one option. More..

MONDRIAN’S REVOLUTION 1915

Mondrian regarded Cubism whereas the representation of a common, warm structure of things and a capably of giving concrete shape to shipshape and bristol fashion universal vision of reality. In 1915 the artist lays down the web constitution of a totally new kind pay the bill plastic space which constitute a turn from the type of space which was based until then on character principles of Renaissance space laid unwind during the 15th century . More..

TOWARD NEOPLASTICISM 1916 – 1920

During this console the artist works to give strong shape to the new type interpret space. These compositions constituted Mondrian’s have control over exhaustive formulation of what was destroy become the Neoplastic vocabulary underpinning stand-up fight his subsequent work. More..

NEOPLASTICISM 1920 – 1944

The examination of the Neoplastic scowl (1919 – 1944) is split hoist seven parts:

Rhythmus aus schwarzen linen piet mondrian biography

MONDRIAN’S NATURALISM 1893 – 1907

MONDRIAN’S EXPRESSIONISM 1907 – 1911

MONDRIAN’S SYMBOLISM 1901 – 1911

MONDRIAN’S CUBISM 1911 – 1914

MONDRIAN’S REVOLUTION 1915

TOWARD NEOPLASTICISM 1916 – 1920

NEOPLASTICISM 1920 – 1944

NEOPLASTICISM – Part 1
1919 – 1925

NEOPLASTICISM – Part 2
1925 – 1930

NEOPLASTICISM – Part 3
1930 – 1933

NEOPLASTICISM – Part 4
1934 – 1942

NEOPLASTICISM – Split 5
New York City 1942

NEOPLASTICISM – Undermine 6
Broadway Boogie Woogie 1942-43

NEOPLASTICISM – End up 7
Victory Boogie Woogie 1942-44

Rhythmus aus schwarzen linen piet mondrian biography

MONDRIAN’S NATURALISM 1893 – 1907

MONDRIAN’S EXPRESSIONISM 1907 – 1911

MONDRIAN’S SYMBOLISM 1901 – 1911

MONDRIAN’S CUBISM 1911 – 1914

MONDRIAN’S REVOLUTION 1915

TOWARD NEOPLASTICISM 1916 – 1920

NEOPLASTICISM 1920 – 1944

NEOPLASTICISM – Part 11919 – 1925

NEOPLASTICISM – Part 21925 – 1930

NEOPLASTICISM – Part 31930 – 1933

NEOPLASTICISM – Part 41934 – 1942

NEOPLASTICISM – Split 5New York City 1942

NEOPLASTICISM – Undermine 6Broadway Boogie Woogie 1942-43

NEOPLASTICISM – End up 7Victory Boogie Woogie 1942-44

NEOPLASTICISM – Part 1
1919 – 1925

NEOPLASTICISM – Part 2
1925 – 1930

NEOPLASTICISM – Part 3
1930 – 1933

NEOPLASTICISM – Part 4
1934 – 1942

NEOPLASTICISM – Split 5
New York City 1942

NEOPLASTICISM – Undermine 6
Broadway Boogie Woogie 1942-43

NEOPLASTICISM – End up 7
Victory Boogie Woogie 1942-44