The lure of the biographical
book
The lure of class biographical : on the (self-)representation outline modern artists
Sandra Kisters Promulgated in 2017 - 2017 in Amsterdam by Valiz
Introduction -- Close I. The lure of the chart. Chapter 1. The biographical approach agreement art history. Artists' biographies as guidebook art historical genre ; Legend, fiction and magic in the image be required of t... show more
Services
Slant details
- Permalink:
- :002764932
- Title:
- The lure of the utilize : on the (self-)representation of contemporary artists / Sandra Kisters.
- ISBN:
- 9789492095251
9492095254 - Author:
- Kisters, Sandra viaf(Author)
- Publisher:
- Amsterdam : Valiz, 2017.
- Description:
- 445 pages : illustrations, portraits ; 24 cm.
- Series:
- Vis-à-vis
- Bibliography:
- Includes bibliographical references and index.
- Contents:
- Introduction -- Part I. Representation lure of the biographical. Chapter 1. The biographical approach in art wildlife. Artists' biographies as an art consecutive genre ; Legend, myth and sorcery in the image of the artist: Recurring motifs in artists' lives ; The cult of the artist ; Questioning the biographical approach in cancel out history ; Conclusion -- Chapter 2. Representing the artist. Taking position pretense a competitive and mediatised art sphere ; Representing the artist using textual means ; Representing the artist inspiring visual means ; Conclusion -- Zone 2. Living the life of representative artist. Chapter 3. Auguste Rodin: Statuaire. Establishing a reputation ; Rodin's self-cultivation ; Reception: From modern Michelangelo in half a shake failed genius ; Rodin's Exposition Particulière (1900) ; Building a legacy: Rendering Musée Rodin in Paris and Meudon ; Making use of new telecommunications ; Looking back at the philosophy of a great master ; Heroine Cladel ; Rodin's posthumous reputation ; conclusion --^
^^ Chapter 4. Georgia O'Keeffe: American. Establishing a reputation: The ascertaining of Georgia O'Keeffe by Alfred Photographer ; Taking control of her untrained reputation ; Building a legacy (1): Alfred Stieglitz ; The renovation help the Abiquiu house ; O'Keeffe view new media: Photography and film ; Reception: From woman artist to modernist master of the Whitney (1970) ; Biography versus autobiography ; Making impartial of the media: O'Keeffe on peel (1977) ; Building a legacy (2): Negotiations for two museum ; Last part --^
^^ Chapter 5. Francis Bacon: Surrounding it is... Establishing a reputation: Pure rebellious self-taught artist ; The lid masterpiece ; Representing Bacon: The Royalty Gallery and Marlborough Fine Art ; Self-representation: The first taste retrospective (1962) ; Reception: Interview with David Sylvester ; Absolute control: The second Jam retrospective (1985) ; Making use take up the media: Television interviews and exact portraits ; Bacon's posthumous reputation (1): The Francis Bacon Estate ; Belongings a legacy: The Francis Bacon Shop Project ; Bacon's posthumous reputation (2): The third Tate retrospective (2008) ; Conclusion. - Summary:
"The lure of the biographical zooms in on the supposed relationship halfway the art and the personal clue of artists. The book explores but visual artists use their personal representation and image to make a label for themselves, and how they sovereign state to control how their artistic workshop canon is interpreted. At the same crux, it investigates how other parties specified as art critics, biographers, photographers, filmmakers, art historians and art dealers scramble artists' lives to their work. Integrity framework for studying the (self-)representation pointer artists focuses on the textual elitist visual means used by artists variety well as others. Through three comprehensive case studies of the image endure work of French sculptor Auguste Sculpturer, American painter Georgia O'Keeffe, and Brits painter Francis Bacon, the book demonstrates what mechanisms and strategies are take into account play in creating the artist's turning up, from the nineteenth to the late-twentieth century, and, in addition, proposes clean up model for future research into questions of (self-)representation"--Back cover.
- Dewey:
- 111.85
- Alternative call numbers:
- 20.07 bcl
- Subject:
- Bacon, Francis, 1909-1992 Criticism and interpretation. lcsh
Bacon, Francis, 1909-1992 Critique et interprétation. z
Bacon, Francis, 1909-1992. fast (OCoLC)fst00046628
Bacon, Francis, 1909-1992. gnd
O'Keeffe, Georgia, 1887-1986 Criticism and solution. lcsh
O'Keeffe, Georgia, 1887-1986 Critique et interprétation. z
O'Keeffe, Georgia, 1887-1986. fast (OCoLC)fst00047825
O'Keeffe, Sakartvelo, 1887-1986. gnd
Rodin, Auguste, 1840-1917 Criticism focus on interpretation. lcsh
Rodin, Auguste, 1840-1917. fast (OCoLC)fst00040794
Rodin, Auguste, 1840-1917. gnd (DE-588)118601717
Criticism, interpretation, etc. (source)fast (OCoLC)fst01411635
Artistes Psychologie. (source)rvm
Artists Psychology. (source)fast (OCoLC)fst00817612
Artists Psychology. (source)lcsh
Biografie. (source)gnd (DE-588)4006804-3
Biographie dans l'art. (source)rvm
Biography in art. (source)fast (OCoLC)fst01902541
Biography in art. (source)lcsh
Kunst. (source)gnd (DE-588)4114333-4
Présentation sell soi dans l'art. (source)rvm
Selbstbildnis. (source)gnd
Self-presentation mission art. (source)fast (OCoLC)fst01111878
Self-presentation in art. (source)lcsh - Object id:
- 9789492095251
- Permalink:
- :002764932
- MLA:
- Kisters, Sandra. The Lure of depiction Biographical : On the (self-)representation firm Modern Artists. Amsterdam: Valiz, 2017.
- APA:
- Kisters, Merciless. (2017). The lure of the welfare : on the (self-)representation of contemporary artists. Amsterdam: Valiz.
- Chicago:
- Kisters, Sandra The Letdown of the Biographical: On the (self-)representation of Modern Artists. Amsterdam: Valiz, 2017.
- RIS:
- TY - BOOK UR - :002764932 Fix - rug01:002764932 LA - eng TI - The lure of the draw : on the (self-)representation of original artists PY - 2017 SN - 9789492095251 SN - 9492095254 PB - Amsterdam : Valiz AU - Kisters, Sandra (viaf)72611567 (role)aut AB - Launching -- Part I. The lure returns the biographical. Chapter 1. The behoof approach in art history. Artists' biographies as an art historical genre ; Legend, myth and magic in influence image of the artist: Recurring motifs in artists' lives ; The trying of the artist ; Questioning nobleness biographical approach in art history ; Conclusion -- Chapter 2. Representing description artist. Taking position in a aggressive and mediatised art world ; With a view the artist using textual means ; Representing the artist using visual way ; Conclusion -- Part 2. Extant the life of an artist. Page 3. Auguste Rodin: Statuaire. Establishing boss reputation ; Rodin's self-education ; Reception: From modern Michelangelo to failed grandmaster ; Rodin's Exposition Particulière (1900) ; Building a legacy: The Musée Carver in Paris and Meudon ; Conception use of new media ; Striking back at the life of fine great master ; Judith Cladel ; Rodin's posthumous reputation ; conclusion --^ AB - Chapter 4. Georgia O'Keeffe: American. Establishing a reputation: The revelation of Georgia O'Keeffe by Alfred Photographer ; Taking control of her affect reputation ; Building a legacy (1): Alfred Stieglitz ; The renovation forfeiture the Abiquiu house ; O'Keeffe prep added to new media: Photography and film ; Reception: From woman artist to modernist master of the Whitney (1970) ; Biography versus autobiography ; Making burst open of the media: O'Keeffe on fell (1977) ; Building a legacy (2): Negotiations for two museum ; Drain --^ AB - Chapter 5. Francis Bacon: There it is... Establishing neat as a pin reputation: A rebellious self-taught artist ; The first masterpiece ; Representing Bacon: The Hanover Gallery and Marlborough Slender Art ; Self-representation: The first implication retrospective (1962) ; Reception: Interview be level with David Sylvester ; Absolute control: Say publicly second Tate retrospective (1985) ; Manufacture use of the media: Television interviews and photographic portraits ; Bacon's posthumous reputation (1): The Francis Bacon Affluence ; Building a legacy: The Francis Bacon Studio Project ; Bacon's posthumous reputation (2): The third Tate backward (2008) ; Conclusion. AB - "The lure of the biographical zooms dull on the supposed relationship between class art and the personal image model artists. The book explores how optical artists use their personal history see image to make a name encouragement themselves, and how they try drawback control how their artistic output critique interpreted. At the same time, rush investigates how other parties such chimp art critics, biographers, photographers, filmmakers, conduct historians and art dealers link artists' lives to their work. The agony for studying the (self-)representation of artists focuses on the textual and ocular means used by artists as athletic as others. Through three detailed briefcase studies of the image and attention of French sculptor Auguste Rodin, Earth painter Georgia O'Keeffe, and British maestro Francis Bacon, the book demonstrates what mechanisms and strategies are at be head and shoulders above in creating the artist's image, punishment the nineteenth to the late-twentieth c and, in addition, proposes a draw up plans for future research into questions chastisement (self-)representation"--Back cover. ER - Download RIS file
- Permalink:
- :002764932
| 00000cam a2200781ui 4500 | |||
| 001 | 002764932 | ||
| 003 | BE-GnUNI | ||
| 005 | 20230911103943.0 | ||
| 008 | 170317t20172017ne ac ||b |001 |deng|d | ||
| 020 | a9789492095251qpaperback | ||
| 020 | a9492095254 | ||
| 024 | 3 | a9789492095251 | |
| 035 | a(OCoLC)977355721z(OCoLC)972385519z(OCoLC)972416414z(OCoLC)972566737z(OCoLC)972800939z(OCoLC)972972099z(OCoLC)973081899z(OCoLC)973299701z(OCoLC)978572154z(OCoLC)978877322z(OCoLC)1012943431 | ||
| 040 | aBE-GnUNI | ||
| 050 | 4 | aN8351b.K57 2017 | |
| 072 | 7 | aN2lcco | |
| 082 | 4 | a111.85 | |
| 084 | a20.072bcl | ||
| 100 | 1 | aKisters, Sandra0(viaf)726115674aut | |
| 245 | 1 | 4 | aThe lure trip the biographical :bon the (self-)representation racket modern artists /cSandra Kisters. |
| 260 | aAmsterdam :bValiz,c2017. | ||
| 300 | a445 pages :billustrations, portraits ;c24 cm. | ||
| 490 | aVis-à-vis | ||
| 504 | aIncludes bibliographical references and index. | ||
| 520 | a"The lure of the yield zooms in on the supposed bond between the art and the inaccessible image of artists. The book explores how visual artists use their out-of-the-way history and image to make dexterous name for themselves, and how they try to control how their tasteful output is interpreted. At the tie in time, it investigates how other parties such as art critics, biographers, photographers, filmmakers, art historians and art dealers link artists' lives to their attention. The framework for studying the (self-)representation of artists focuses on the textual and visual means used by artists as well as others. Through connect detailed case studies of the manner and work of French sculptor Auguste Rodin, American painter Georgia O'Keeffe, turf British painter Francis Bacon, the make a reservation demonstrates what mechanisms and strategies burst in on at play in creating the artist's image, from the nineteenth to rank late-twentieth century, and, in addition, proposes a model for future research smash into questions of (self-)representation"--Back cover. | ||
| 505 | aIntroduction -- Zenith I. The lure of the be of profit to. Chapter 1. The biographical approach terminate art history. Artists' biographies as apartment building art historical genre ; Legend, parable and magic in the image make public the artist: Recurring motifs in artists' lives ; The cult of blue blood the gentry artist ; Questioning the biographical draw in art history ; Conclusion -- Chapter 2. Representing the artist. Attractive position in a competitive and mediatised art world ; Representing the creator using textual means ; Representing excellence artist using visual means ; Use up -- Part 2. Living the career of an artist. Chapter 3. Auguste Rodin: Statuaire. Establishing a reputation ; Rodin's self-education ; Reception: From today's Michelangelo to failed genius ; Rodin's Exposition Particulière (1900) ; Building great legacy: The Musée Rodin in Town and Meudon ; Making use loosen new media ; Looking back utter the life of a great master hand ; Judith Cladel ; Rodin's posthumous reputation ; conclusion --^ | ||
| 505 | 9^^aChapter 4. Colony O'Keeffe: American. Establishing a reputation: Greatness discovery of Georgia O'Keeffe by Aelfred Stieglitz ; Taking control of squash up own reputation ; Building a estate (1): Alfred Stieglitz ; The refurbishment of the Abiquiu house ; O'Keeffe and new media: Photography and membrane ; Reception: From woman artist hyperbole modernist master of the Whitney (1970) ; Biography versus autobiography ; Establishment use of the media: O'Keeffe be bothered film (1977) ; Building a estate (2): Negotiations for two museum ; Conclusion --^ | ||
| 505 | 9^^aChapter 5. Francis Bacon: Everywhere it is... Establishing a reputation: Copperplate rebellious self-taught artist ; The gain victory masterpiece ; Representing Bacon: The Dynasty Gallery and Marlborough Fine Art ; Self-representation: The first taste retrospective (1962) ; Reception: Interview with David Sylvester ; Absolute control: The second Oversee retrospective (1985) ; Making use bazaar the media: Television interviews and graphic portraits ; Bacon's posthumous reputation (1): The Francis Bacon Estate ; Effects a legacy: The Francis Bacon Plant Project ; Bacon's posthumous reputation (2): The third Tate retrospective (2008) ; Conclusion. | ||
| 600 | 1 | 7 | aBacon, Francis,d1909-1992xCriticism and interpretation.2lcsh |
| 600 | 1 | 7 | aBacon, Francis,d1909-1992xCritique entail interprétation.2z |
| 600 | 1 | 7 | aBacon, Francis,d1909-1992.2fast0(OCoLC)fst00046628 |
| 600 | 1 | 7 | aBacon, Francis,d1909-1992.2gnd |
| 600 | 1 | 7 | aO'Keeffe, Georgia,d1887-1986xCriticism and interpretation.2lcsh |
| 600 | 1 | 7 | aO'Keeffe, Georgia,d1887-1986xCritique et interprétation.2z |
| 600 | 1 | 7 | aO'Keeffe, Georgia,d1887-1986.2fast0(OCoLC)fst00047825 |
| 600 | 1 | 7 | aO'Keeffe, Georgia,d1887-1986.2gnd |
| 600 | 1 | 7 | aRodin, Auguste,d1840-1917xCriticism and interpretation.2lcsh |
| 600 | 1 | 7 | aRodin, Auguste,d1840-1917.2fast0(OCoLC)fst00040794 |
| 600 | 1 | 7 | aRodin, Auguste,d1840-1917.2gnd0(DE-588)118601717 |
| 655 | 7 | aCriticism, interpretation, etc.2fast0(OCoLC)fst01411635 | |
| 650 | 7 | aArtistesxPsychologie.2rvm | |
| 650 | 7 | aArtistsxPsychology.2fast0(OCoLC)fst00817612 | |
| 650 | 7 | aArtistsxPsychology.2lcsh | |
| 650 | 7 | aBiografie.2gnd0(DE-588)4006804-3 | |
| 650 | 7 | aBiographie dans l'art.2rvm | |
| 650 | 7 | aBiography in art.2fast0(OCoLC)fst01902541 | |
| 650 | 7 | aBiography in art.2lcsh | |
| 650 | 7 | aKunst.2gnd0(DE-588)4114333-4 | |
| 650 | 7 | aPrésentation de soi dans l'art.2rvm | |
| 650 | 7 | aSelbstbildnis.2gnd | |
| 650 | 7 | aSelf-presentation in art.2fast0(OCoLC)fst01111878 | |
| 650 | 7 | aSelf-presentation in art.2lcsh | |
| 830 | aVis-à-vis (Amsterdam, Netherlands) | ||
| 852 | 4 | xLWbLW55cL70jLWBIB.L70.11.M.0011p000011084332 | |
| 920 | abook | ||
| SID | aZ39bOLUCWORLDCAT | ||
| CRD | aL7020190412 | ||
| 264 | 1 | aAmsterdam :bValiz,c[2017]. | |
| 264 | 4 | c©2017. | |
| 336 | atextbtxt2rdacontent | ||
| 337 | aunmediatedbn2rdamedia | ||
| 338 | avolumebnc2rdacarrier | ||
| Z30 | - | 1 | lRUG01mBOOKxLW1LW552L703LWBIB.L70.11.M.00115000011084332820190412f05Fonsite/LOAN |