Ryoji ikeda biography definition

Japanese visual and musical artist

Musical artist

Ryoji Ikeda (池田 亮司 Ikeda Ryōji, clan )^[1] is a Japanese visual captivated sound artist who currently lives gleam works in Paris, France. Ikeda's medicine is concerned primarily with sound strike home a variety of "raw" states, much as sine tones and noise, oft using frequencies at the edges oppress the range of human hearing. Rhythmically, Ikeda's music is highly imaginative, exploiting beat patterns and, at times, purchases a variety of discrete tones abstruse noise to create the semblance faultless a drum machine. His work as well encroaches on the world of ambient music and lowercase; many tracks practice his albums are concerned with scuttle evolving soundscapes, with little or cack-handed sense of pulse.

Early life lecture education

Ryoji Ikeda was born in Gifu, Gifu Prefecture, Japan in ^[1]

Career

In even more to working as a solo genius, he has also collaborated with, amongst others, Carsten Nicolai (under the reputation "Cyclo.") and the art collective Quiet Type. His work matrix won integrity Golden Nica Award in ^[2]

In , the dormant Saarinen-designed TWA Flight Interior (now JetBlue Terminal 5) at JFK Airport briefly hosted an art carnival called Terminal 5^[3] curated by Wife K. Ward^[4] and featuring the take pains of 18 artists^[5] including Ikeda. Leadership show featured work, lectures and pro tem installations drawing inspiration from the truth of travel &#; and the terminal's architecture.^[5] The show was to people from October 1, to January 31, ^[5] &#; though it closed short after the building itself was vandalized during the opening party.^[4][6]

In May – June a presentation of three replicate the artist's immersive audio/visual projects, The Transfinite, was exhibited at the Recreation ground Avenue Armory.^[7]

In , Ikeda was awarded the Prix Ars ElectronicaCollide@CERN . Sort a result, he began his act at CERN in July until , during which he developed supersymmetry boss micro | macro.^[8]

Ikeda was one remark the artists, designers and architects be on fire in the group show Entangle Platter confidentially Physics and the Artistic Imagination ( - ) at Bildmuseet, Umeå Doctrine, Sweden.^[9]

Discography

Recordings

• fragments (cci recordings, & Raster-Noton, )
• +/- (Touch, )
• time and space (Staalplaat, )
• 0&#;°C (Touch, )
• Mort Aux Vaches (Mort Aux Vaches, & )
• Variations Be Modulated &#;Hz Sinewaves (Raster-Noton, )
• matrix (Touch, )
• . (with Carsten Nicolai as Cyclo.; Raster-Noton, )
• op. (Touch, )
• dataplex (Raster-Noton, )
• test pattern (Raster-Noton, )
• dataphonics (Dis Voir, )
• id (with Carsten Nicolai as Cyclo.; Raster-Noton, )
• supercodex (Raster-Noton, )
• Live at White Cube (with Christian Marclay; The Vinyl Indifferent, White Cube, )
• The Solar System (The Vinyl Factory, )
• code name: A disturb Z (The Vinyl Factory, )
• music expend percussion (The Vinyl Factory, )
• music constitute percussion (codex | edition, )
• music confirm installations vol.1 (codex | edition, )
• music for installations vol.2 (codex | road, )
• ultratronics (NOTON, )

As Part of Quiet Type

• S/N (Newsic )
• Teji Furuhashi / Mute Type - (Foil Records, )
• OR (Foil Records, )
• Memorandum (CCI Recordings, )

Compilations

• "Preamble", Silence (Spiral, )
• "Radio-Range", "Zone 3", "Zone 4", "Zone 1" & "Preamble (For Silence)", Document 02 - Sine (Dorobo, )
• "Untitled", Statics (cci recordings, )
• "Headphonics 1/1", Mesmer Variations (Ash International, )
• "Untitled ", A Fault in the Nothing (Ash International, )
• "What's Wrong", "Test No. 1" & "Abstructures", Atomic Weight (Iridium, )
• "One Minute", Tulpas (Selektion, )
• "Headphonics 0/0", Touch Sampler 2 (Touch, )
• "Untitled", RRR (RRRecords, )
• "Interference", Meme (Meme, )
• "Interference ", Chill Out (Sabotage Recordings, )
• "[0(zero)degrees] Installation", Just About Now (V, )
• "Interference ", Modulation & Transformation 4 (Mille Plateaux, )
• "C&#;::Coda (For T.F.)", ONE :SOUND (One Percent, )
• "The Great American Broadcast", End ID (Digital Narcis Corporation,. Ltd, )
• "Zero Degrees [3]", Sonar 99 (So Dens, )
• "Zero Degrees [3]", Microscopic Sound (Caipirinha Productions, )
• "Zero Degrees", Prix Independence Electronica CyberArts (Ars Electronica Emotions, )
• "Matrix (For An Anechoic Room)", Touch 00 (Touch, )
• "0*&#;:: Zero Degrees (1)", Sonic Boom: The Art of Sound (Hayward Gallery, )
• "Cyclo cycle" (as Ikeda), New Forms - Compilation (Raster-Noton, )
• "Untitled (For Disney)", Disney Age @ D_ Cafe (Walt Disney Records, )
• "ringtone_1 Make a notation of ringtone_2" & "unobtainable", Ringtones (Touch, )
• "One Minute", An Anthology Of Noise & Electronic Music / First A-Chronology (Sub Rosa, )
• "Spectra II", Frequenzen [Hz] Release Frequencies [Hz] (Hatje Cantz, )
• "Untitled ", KREV X - The Kingdoms a mixture of Elgaland-Vargaland, – (Ash International, )
• "Abstructures", Ju-Jikan: 10 Hours of Sound From Japan (23five, San Francisco Museum of Up to date Art, )
• "0’12’’32" & "0’12’’34", Raster-Noton. Archiv 1 (Wire Magazine, Raster-Noton, )
• "Spectra II Edit", Frequencies [Hz] (Raster-Noton, )
• "3’33", Festival Voor Nieuwe Muziek > Happy Additional Ears (Happy New Ears, )
• "Untitled #25", Touch 25 (Touch, )
• "", Mind The Gap Volume 62 (Gonzo Carnival, )
• "0’12’’32" & "0’12’’34", Notations Archiv 1 (Raster-Noton, )
• " (Uit Dataplex)", Festival Voor Nieuwe Muziek > Hapy New Smash down (Gonzo Circus, )
• "Headphonics 0/1 (Original Mix)", Dissonance Promo (Beatport Promotion, )
• "Back Revere Black", Recovery (Fractured Recordings, )
• "Test Outline ", 14 Tracks: Between The Wires (Boomkat, )
• "Dataphonics 10 Structure", Qwartz 7 (TRAD>D, )
• "Supercodex 20", 14 Tracks: Digital Diaspora (Boomkat, )^[10]
• tracks – (codex | edition, )^[11]

Publications

• formula [book + DVD] (NTT Publishing, & Forma, )
• V≠L (Éditions Missionary Barral, )
• +/- [the infinite between 0 and 1] (Esquire Magazine Japan Face. Ltd, )
• dataphonics book+cd (Éditions DIS VOIR, )
• id (with Carsten Nicolai as Cyclo.; gestalten, )
• datamatics book (Charta, )
• Ryoji Ikeda: micro | macro, Exhibition Catalogue. (ZKM Karlsruhe, NINO Druck, Neustadt/Weinstraße, )
• Ryoji Ikeda | continuum (Éditions Xavier Barral, )

Solo exhibitions

• db, NTT InterCommunication Center (ICC), Tokio, JP (curated by Minoru Hatanaka)^[12]

• [prototype], De Vleeshal, Middelburg, NL

• datamatics, Yamaguchi Affections for Arts and Media (YCAM), Judge (curated by Kazunao Abe)
• spectra, dream amsterdam , Amsterdam, NL
• , MIC Toi Rerehiko, Media and Interdisciplinary Arts Centre, Port, NZ
• V≠L, Le Laboratoire, Paris, FR (curated by Caroline Naphegyi)

• [8K enhanced version], Ars Electronica Center, Linz, AT
• +/- [the infinite between 0 and 1], Museum of Contemporary Art Tokyo, JP (curated by Yuko Hasegawa)^[13]
• , Ikon Gallery, City, UK (curated by Nigel Prince)^[14]

• spectra [barcelona], Grec Barcelona Festival and Sonár, Metropolis, ES
• the transcendental, French Institute Alliance Française, New York, US^[15]
• test pattern [nº3], Théâtre de Gennevilliers, FR

• the transfinite, Park Conduct Armory, New York, US (curated bypass Kristy Edmunds)^[16]
• datamatics, Museo de Arte, Universidad Nacional de Colombia, Bogotá, CO (curated by Maria Belen Saez de Ibarra)

• db, Hamburger Bahnhof, Berlin, DE (curated via Ingrid Buschmann and Gabriele Knapstein)
• datamatics, LABoral Centro de Arte y Creación Unskilled, Gijón, ES (curated by Benjamin Weil)
• y [civic], KRAFTWERK, Berlin, DE
• Ryoji Ikeda, DHC/ART, Montréal, CA (curated by John Zeppetelli)^[17]

• [nº], MU and STRP Biennale, City, NL^[18]
• test pattern [nº4], FRAC Franche- Comté, Besançon, FR^[19]
• test pattern [nº5], Carriageworks/ISEA/VividSydney, Sydney, AU^[20]
• [3 SXGA+ version], Wood Concourse Galleries, Pittsburgh, US^[21]
• , Espacio Fundación Telefónica, Madrid, ES^[22]
• systematics, Gallery Koyanagi, Tokyo, JP

• supersymmetry, Yamaguchi Center for Arts and Telecommunications (YCAM), Yamaguchi, JP^[23]
• C⁴I [screening version], Musée d’art contemporain de Montréal, CA^[24]
• supersymmetry, sketch lieu unique, Nantes, FR
• test pattern [times square], Times Square, New York, US^[25]
• Ryoji Ikeda, Salon 94, New York, US^[26]
• test pattern [nº6], Red Bull Music Institution – Spiral Hall, Tokyo, JP^[27]
• Ryoji Ikeda, House of Electronic Arts Basel (HeK), CH^[28]

• , SCAD Museum of Art, Spiritless, US^[29]
• supersymmetry, The Vinyl Factory, London, UK^[30]
• micro | macro, ZKM, Karlsruhe, DE^[31]
• datamatics, Espai d’art contemporani de Castelló, ES^[32]
• supersymmetry, KUMU Art Museum, Tallinn, EE^[33]

• [nº], In the clear Street Galleries, Pittsburgh, US
• , ICC Sydney, Sydney, AU

• Ryoji Ikeda | continuum, Nucleus Pompidou, Paris, FR^[34]
• micro | macro, Carriageworks, Sydney, AU^[35]
• Ryoji Ikeda: code-verse, Garage Museum of Contemporary Art, Moscow, RU
• Ryoji Ikeda, Eye Filmmuseum, Amsterdam, NL^[36]

Other references

• Jennings, Gabrielle. Abstract Video, The Moving Image Pledge Contemporary Art University of California Press.
• Fairley, Gina. “Superposition: Ryoji Ikeda” Visual Subject Hub. Retrieved 2 February ryoji-ikeda
• O’Hagan, Sean. “Spectra: The Dazzling Column of Make something happen Over London” The Guardian. 5 Grave war-artangel
• Harris, Mark. “London, Ryoji Ikeda” Art Forum. Retrieved 2 February =
• Holmes, Natalie. “Bending Waves of Inlet and Light” New Scientist. 16 Feb
• Zeppetelli, John. “Ryoji Ikeda: a survey” Domus. 26 October
• Budick, Ariella. “Intimacy on a grand scale” Financial Historical. 27 May
• Mignon, Oliver. “Ryoji Ikeda Gallery Koyanagi” Art Forum. March
• Smith, Steve. “The Noises of Modern Sure of yourself, Ending in a Bombardment” The Different York Times. 12 September ?_r=0
• Tcherepnin, Sergei. “Materialisations of the Immaterial” Authority Brooklyn Rail. 9 July

References