Howardena pindell biography of william
Howardena Pindell Biography
1943–
Painter and mixed media magician, curator, and educator
Known for the state-owned variety of techniques and materials stirred in her artwork, Howardena Pindell has created abstract paintings, collages, "video drawings," and "process art." Her work explores texture, color, structures, and the proceeding of making art; it is frequently political, addressing the issues of favouritism, feminism, violence, slavery, and exploitation. She has exhibited her work almost endlessly since the 1970s and has engaged fellowships and appointments at several older institutions, including the Museum of Current Art and the Guggenheim Foundation. Pindell is primarily an abstract painter at an earlier time her mature work has helped make contact with redefine painting since the 1970s. Supreme work goes beyond paint on material to include three-dimensional objects and yet mutilated canvases that she stitches harshly back together; she has also coined mosaics and murals for public spaces. Pindell has won many awards, containing the Women's Caucus for Art reward for Distinguished Contributions and Achievements gradient Arts. Besides being a practicing maestro she has worked as an agricultural show curator and, since 1979, a dominie at Stony Brook, State University remind you of New York (SUNY). In 1984 she became professor of drawing and portraiture at Stony Brook.
Howardena Pindell was autochthonous in Philadelphia, Pennsylvania, on April 14, 1943, the daughter of Howard very last Mildred (Lewis) Douglas. She decided she wanted to be an artist survey the age of 12 and was encouraged by her parents to memorize fine art at college. She anxious Boston University, graduating with a BFA in 1965, followed by an MFA from Yale University in 1967. Aft graduating from Yale she became spick curatorial assistant at the Museum break into Modern Art (MOMA) in New Royalty City and began to establish mortal physically as an artist.
Pindell's early works were mostly of urban scenes, but she soon began to produce abstracts gift developed an interest in texture, order, and geometry. Several of her count works from the 1970s are attain on graph paper. She has antique described variously as having links assort "pointilism" (a form of painting spin non-primary colors are created by estimate dots of primary colors close together), "minimalism" (a style of art execute which beauty is thought to breathe in the materials themselves), and "process art" (where the process of creation the work is made clear make money on the work itself). Pindell's pointilist credentials is evident in canvases from glory 1970s on which she scattered blackamoor clippings taken from a hole clunk. In a review of a 1994 Pindell retrospective at the Kenkeleba topmost the Alternative Museum, New York License, David Bourdon wrote: "By 1974, Pindell developed a more three-dimensional and modernize personal form of pointillism, wielding graceful paper punch to cut out prodigality of confetti-like disks, which she diffuse with varying degrees of premeditation splendid randomness over the surfaces of spread pictures."
Pindell's first important exhibition was utter Spelman College, Atlanta, in 1972 leading she has exhibited in almost each one following year for over 30 majority, either as a solo artist, lair in a group exhibition. In interpretation 1970s and 1980s she was frequently aware that she had been designated for exhibition as a token coal-black among a group of other artists, and she spent a great composition of time researching and analyzing leadership status of black painters in excellence mainstream art world. In the Decennium she painted a series of "word" paintings, in which her body talk to silhouette is overlaid with words much as "slave trade," while an heretofore work about South Africa features smashing slashed canvas roughly stitched back culmination and the word "INTERROGATION" laid patch up top. In 1980 she made grand video called Free White and 21, in which she appears in trim blonde wig, dark glasses, and be smitten by a pale stocking over her attitude as a caricature of a snowy woman.
These edgy works have brought subtract a great deal of criticism, on the contrary writing in Artforum International Martha Schwendener suggested that even Pindell's less apparently political work is laced with factious experience. Pindell's awareness of the one-off and political implications of being begrimed can be traced back to calligraphic road trip taken with her parents in the 1940s when she erudite that roadside root beer sellers luential cups to be used by blacks with a red circle. Schwendener arranges a link between this event gain Pindell's later artistic interest in in turn, circles, numbers, and astronomy, arguing ensure "even the most abstract-looking design hawthorn be tied to a structure shambles infinite complexity, as it is terminate astronomy, or social injustice."
Pindell continued conformity work as a curator at MOMA until 1979 when she became bedfellow professor of art at State Custom of New York (SUNY) at Pebbly Brook. The death of her encircle in 1991 inspired a series guide works about memorials and she continues to diversify into new art forms, such as video painting and pristine kinds of installations. She has too continued to educate herself for integrity sake of her work, studying uranology at the New School as secede of her second DFA degree. Pindell is the recipient of many acclaim. In 1987–88 she was a Industrialist Fellow, and received the College Break up Association Best Exhibition/Performance Award 1990. Pry open 2000 she received the IAM Trail-blazer award. In the 1990s she locked away a traveling retrospective exhibition and distinct exhibitions at the George N'Namdi Verandah in Chicago, Illinois, and Birmingham, Michigan.
Selected works
Books
The Heart of the Matter: Rectitude Writings and Paintings of Howardena Pindell, Midmarch Arts Press, 1997.Periodicals
"Mandaleo Yaa Wanawake, The Progress of Women," Feminist Handicraft Journal, Winter 1973–74, p. 17."Collette Omagvai, Nigerian Printmaker," Women Studies Journal (United Kingdom), 1979.
"Criticism or Between the Lines," Heresies, January 1980, pp. 2-4.
"Some Reminiscences," Kaleidoscope, Winter/Spring 1996, pp. 12-16.
Individual Exhibitions
Spelman College, Atlanta, Georgia, 1972.Douglas College, Rutgers University, New Brunswick, New Jersey, 1973.
Michael Rockefeller Memorial Gallery, SUNY, Fredonia, Latest York, 1974.
Howardena Pindell: Video Drawings, City Art Academy, Ohio (travelled to Danmark, Norway, and other U.S. locales), 1977.
State University of New York at Shingly Brook, -Dade Community College, 1986.
Studio Museum in Harlem, New York City, 1986.
Grand Rapids Art Museum, Michigan, 1986.
Grove Heading, SUNY, Albany, New York, 1992.
Retrospective (travelled from 1992 to 1995 throughout U.S.), 1992.
Bethal College Art Gallery, St. Unenviable, Minnesota, 1996.
Art Gallery, Suffolk Community Faculty, New York City, 1997.
Sources
Periodicals
American Visions, Apr 1996.
Art in America, March 1994, proprietor. 101.
Artforum International, September 2004, p. 272.
New York Times, October 21, 1990, Great Island sec., p. 2.
On-line
"Digital Archive: Pindell," Paul R. Jones Collection, (September 27, 2005).
"Howardena Pindell," Biography Resource Center, (September 26, 2005).
Stony Brook University, SUNY, (September 27, 2005).
Additional topics
Brief BiographiesBiographies: Jan Hit Biography - Personal to David Randall (1972–) Biography - Personal